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Hayame ([personal profile] warmare) wrote2017-10-19 11:23 pm

IC Contact [Kenos]

速魚
IC INBOX COMMUNION / ACTION

redsoil: (pic#16220800)

HAMYAAAAAAAAAAAMS

[personal profile] redsoil 2024-02-04 01:36 am (UTC)(link)
Yes, fun. You and I have really only had fun in response to —

[ With one hand, he gestures with a snap of his wrist, as if wafting away an acrid or unpleasant scent. Their fun tended to come as a way to distract themselves from difficult situations; his terror over being haunted by his brother in the wake of dreams from the Tree, the fun of sexual intimacy was not entirely there either because it was her first time and he'd wanted to treat her better than her world taught her that she would be treated. The two of them never really went out, or did anything together apart from working, battling and acknowledging their bond.

When she'd shorn her hair, he'd realized — she was his friend, too. He'd named her such, desperate to show her that even though he was a terrible individual, he cared for her; that the two things weren't mutually exclusive. And now, he was in her small "garden" to ensure everything grew healthy and bountiful with a spell that had earned him a place wherever flora and crops needed tending to. ]


You know.

[ Hopefully, she does.

He laces his fingers behind his back, twisting his wrists to be able to tuck his knuckles into the small of his spine as he begins to approach her. The oddly domestic way she dresses, does her chores, styles her hair now — they're things he never had to do, because he either didn't need to wash his clothes ( nor bathe, really; as a god of desert sands, he was clean and smelled neutral with the hint of whatever someone liked ), nor dress any differently ( save for fun, or practicality on the Scorching Isles ). It was something he saw the mortals do, though. What a strange way to have to spend one's time! ]


Could I help you? [ And though his eyes drift over Naira, he doesn't say anything yet.

He's smelled Claude and Hayame's scents on one another for some time, and has been resisting the urge to give Claude the shotgun speech... save for that he nearly did, in telling him not to ruin his precious warrior's strong heart. ]
redsoil: (pic#16220618)

[personal profile] redsoil 2024-02-05 11:48 pm (UTC)(link)
[ Set follows her to her laundry line, his hands clasped behind the small of his back as he observes the way that she plucks the pins from the sheets of fabric and pockets them. He's never really, well, done chores, to be honest. Things like this were unnecessary for the gods, and any familiarity he has with them is from watching the mortals who needed to bathe and keep their environment clean and organized. Honestly, he had always enjoyed seeing it, too. It was the innate drive he had as an Egyptian god, to be clean — hence his aversion to body hair, aside from what was on top of the head. IT'S BARBAROUS!!

Watching her, he determines the method she uses, and begins to follow suit from the other end of the line in her direction. In his hands, he holds one of Claude's shirts and just — it's so stupid, ignoring the obvious. Before he addresses the questions she asks of him, he folds it in his hands ( wrinkling it, a little meanly ) and looks up at her. ]


You do know that I knew, right?

[ He shifts his hands a little, to show her the facts that are in his hands. ]

Before the Oracle, I could smell the two of you on one another. I told him to mind your heart. He is a diplomat and you are a warrior, I did not... want him to try and force you to be someone you are not.
redsoil: (pic#16220822)

[personal profile] redsoil 2024-02-08 10:06 pm (UTC)(link)
[ OKAY HAYAME WHOA GIRL he wouldn't say he knew you were INTIMATE, just AROUND ONE ANOTHER enough for your scents to rub off on one another

which ig if you're rubbing against one another that'd do it

destroys this stupid man for you ]


Mm, I suppose so. What skills he possesses matter less to me than whether or not he treats you well.

[ Certainly, he says the words, but does Set even know what it means to be treated well by a man? As one, he knew to give his wife his loyalty and respect, his ear and heart, his love and gentleness. But to him, men are dastardly things. They are rough and difficult, hungry and harsh. Claude does not seem the type, not compared to men he has known ( men he has both willingly, and unwillingly, experienced — ), but. Still, his wish is that her willing partnership was with someone who treated her very well. ]

I would never stand for it, if he did not. If... to be loved, and accepted, you had to twist yourself too far beyond who you are.

[ Because to him, there is a difference between changing for oneself and changing for another. What he's asked of Hayame was for her own peace and longevity, her own confidence and control. To think that she might transform herself to belong with someone else was — well, it was a fear that Set possessed, extending from his own experiences unto her. A protective sort of fear, that has his hands twisting a little tighter into Claude's shirt; like, at any moment, he might shred it to pieces if he hears anything in her tone or sees anything in her body language that suggests she is,

being coerced,

or hurt.

And then she affirms it. Giving voice to a sentiment he has always wanted her to feel like she could say and embody. It lets him relax, and lift his head to look up at her again. Not quite chagrined, but verging on some trembling, hopeful thing — for her. ]


I do not blame you, for keeping it between you and he. Sometimes, we all want privacy with another, before the world imposes itself into our lives. Taking the time to feel secure with him could only help you, especially considering... well. [ What they both have experienced, in certain ways. And her own world's jinba-human relations, as well. ]

Hayame, I am happy for you.
redsoil: (pic#16427627)

[personal profile] redsoil 2024-02-13 05:31 pm (UTC)(link)
I wanted to say it before you could put doubt to my words.

[ Which is to say, they might be too sober for this sort of conversation, but he's unwilling to allow Hayame to have any more ammunition that she might be able to use to spin falsity into what he says. Oh, he was drunk and didn't really mean what he was saying, is something he really, really wants to avoid right now.

Set finishes crumpling Claude's shirt, folding it neatly ( very tidy and devoted to the task, for a sloppy war god like him ) and relinquishes it to Hayame as she takes it from him. The laundry done, there's no further chores that will keep them from having fun. Set doesn't know how to have fun that isn't brassy and messy, but for her, he will try to keep her dignity as intact as possible — even if he wants to see her listing to one side with every step, her cheeks rosy with drink and laughter pouring from her. He hopes she's the sort of drunk that doesn't get maudlin, and instead finds joy in everything.

One will never know, until the moment, though. ]


I'm going to take you to the Last Dance. It's my favorite location — close to Kowloon but beyond that city's politics, and neutral among neutrality. The arts are beloved there. I watch theatre shows and observe occultists reading the stars and cards, booze and smoke and dancers and ware-hawkers... well, it may be a bit hedonistic, but it is not... a cruel place. They don't care about a lot of things, just what's nice and feels good.

[ As if to show Hayame how intent he is on having a good time, he even lets his tongue slip. Pulls words together informally, his normally arched and elevated address blurring into something casual. It makes him sound very human, much younger than he is. And he offers his hand to her, invitingly, once she's ready. What he doesn't tell her is that the Last Dance views him as a strong patron, but that he hasn't gone back to it without a companion on his arm in a long time. Because Osiris haunts him, no longer in his mind, but lingering in crowds.

That's too abysmal to talk about, so he ignores it. Hayame is here, with him. ]
redsoil: (pic#16461520)

[personal profile] redsoil 2024-02-18 12:21 am (UTC)(link)
Well, then! Let us make a grand patron of you, Hayame!

[ Because.

He will not dwell on Hayame's past, not now. It may define her greatly, inform her decisions and personality, but if he wants to create new memories for her, they cannot be held up against the measurement of other experiences. He wants these to be unique, no matter their similarities, because they are being made between two friends. Let this be her foray into a new life, to encourage her to find people and things that she will fight for. That she will want to bring to the children she is going to save. That she will want again, when she survives what is waiting for her.

Set takes her hand, linking his little finger with hers as he does so. Warm, as he brings her hand up to give the knuckle of her thumb a kiss. And then he brings her away — away, through Alenroux. A Cornerstone. It brings them both out into a dark booth, heavy wine-red curtains drawn around a low table and cushions neatly pressed below it. There is enough room for Hayame to move, and the brass lanterns hang low enough that she could easily touch one, metal and starry mirrors and a single hanging sign made of light and mist displaying a unique mark — his own. ]


This is my private booth in one of the businesses, called the Seven Black Oaths. I have a Cornerstone — the dark stone there, among the other pretty stones in the censer — that allows one to jump close to Kowloon, fairly unseen. If ever you need one, for any reason. Through the curtains, Hayame. Through them and out through the Oaths, and into the alleyways! It is a theatre, a bazaar, a place of culture!
redsoil: (pic#16461518)

[personal profile] redsoil 2024-02-28 01:09 am (UTC)(link)
[ The atmosphere of the Last Dance is that of a lively bazaar, a set of narrow alleys not as warm as Springstar above, but not as chemical-and-blood soaked as the depths of Kowloon; it is both a part of the city and a unique entity unto itself, ruled by a small coalition of artists and occultists, who prefer freedoms from the Factions, but also do not devote themselves to harder crimes. A little bit of a hippy commune, with the hippies still willing to knife someone in the back. It creates an artistic environment of actors and culture that Set thrives in, and has patronized since soon after his arrival.

It's a place he likes to share with people he counts as friends, because his liveliness pours through him and becomes something animated, sweeter, when he is here. And he cannot bear going alone anymore, so having Hayame at his side means a lot to him.

He pauses, as she touches a hand to a bracelet upon her wrist. One he thought, perhaps, was a gift from her lover rather than a practical thing from Cetina. Color him pleasantly surprised, then, as Hayame's form shifts and morphs — the same way his had when he had taken the form of a fleet-legged jinba to join her and flee the things that had haunted him — he reaches out with both hands to seize her elbows and forearms, to steady her as she tumbles onto two legs. ]


— you're so short.

[ The words seem harsh, but he speaks them with a spreading grin on his face. ]

Hayame, by the end of the night I will have you dancing on these two new legs of yours! Come, come! Do not put too much thought into your gait, let your muscles move you as you [ walk like an egyptian ] follow my lead!

[ He whips the curtain back then, and presses her along, out into the dark-lit tavern proper. Outside of his personal booth, the ambiance is a little more occult, rife with esoteric symbols and the acrid scent of herb and hookah smoke, lounging figures behind more gauzy-satin public-use booths, and a long-faced woman polishing glasses behind the bar. Her voice a haunting siren call as she hums and sings and spares a fond sort of nod toward Set, and his companion.

He draws her from the darkness, and into the shimmering, layered lanterns and lights that decorate the cavern ceiling of the alley-shops and businesses that make up the Last Dance. The moment they're out of the tavern area, the throng of people encompasses them; a crowd of various peoples, species and genders, hawking wares and putting on plays right in the street. There's a beautiful and terrifying disorder to it, and Set immediately tugs Hayame to his side. ]


Stop me if you see anything you are curious about, though I have an idea where I want to bring you!